Tuesday, August 31, 2010

What Is The Best Mascara Remover

There are spots that are an art




Today I make an exception to introduce Lamúsicaestásuelta . The big exception is that contrary to one of my prerequisites for MA is that it is I who take the pictures ... peeeeero ... There are no buts nice? This time it will not.
A bit of history before continuing. Riding the web one day I came across this page I thought it was great enterprise like his photos (he there on but cute) and those things have a thousand ideas fluttering in the head, not signed up and forgot. A nice coincidence was that I reached for comment they like the blog and the way to show their work. So as there COASAS left in the air and hopefully become one, here goes my post for Lamúsicaestásuelta.




to the facts. What is Lamúsicaestásuelta , they are hand painted tablecloths with various techniques that seek to pay tribute to all tablecloth stain! So in these accidents are also small paintings invite us to follow them playfully staining tablecloths and napkins, because, no doubt they will fit any spot they look very good!


Deploy your stupidity without worry! is their motto and go to me comes in handy! V
Thanks for the pictures: D

Wednesday, August 25, 2010

Words Baptism Card Godmother

Street art by San Telmo

almost two years ago I shared with you. the stencil route and the truth began to worry about the lack of new San Telmo street art by . It is very sad to see how they are discolored and still covered by posters advertising the graffiti and stencils that you have ever watched and admired. Back then
Elodie dominated the scene (I particularly a fana of fowl) and after almost 3 years new exponents monopolize more and more walls and street art route becomes active again! The coordinates are still more or less the same of that post, so you can follow to the letter. I hope to have some time to portray more walls with the new I've seen San Telmo.

These are I leave Piedras Street and the U.S. and took from the bus! The pig has a few months there and often their colors match with the window of Crisantelmo .




Incidentally I recommend adding the graffiti tour, a visit to the Gallery Appetite in Chacabuco 551, find interesting.

Thursday, August 19, 2010

Can My 2 Year Old Take Mylanta

Is not no Author ...

When installing the Paseo Alcorta these outfits were displayed The Oreiro (I love the sweetheart neckline!) And literally and figuratively "on the other corner," the designers participating in the Seed of the UBA


This is a particularly difficult post that I write because I think of what to say in the latest edition of the PV BAFWeek '10 / '11 and nothing comes to my head. In general, all long for the days of the golden age of the BAF and I think that's not the picture to follow , But, fittingly, turn your head forward and not backward. I do not think that the problem is that there is more presence of marks but little is required to design development . The brands should have more design and layout copyright have more resources (public speaking, demand, good space, investors, etc, even from an early stage) to make excellent walkways and the public be kind enough to appreciate good design of both parts: copyright and trademarks, and maybe so finally stop making the reservation dummy and start talking Argentine Design and Fashion Week. Shows that the room is full marks for giving gifts or more celebs in the front row is sad and unfair to the talented Argentine designers are doing or trying to make top-flight shows.
Although I had little time to deepen the showroom (which at first glance you could see less nourished than last season), I was feeling was that it was a sort of theme park where the public for their input could makeup, and be taken to take photos, win a contest, running into one another local celebrity and a little luck and a lot of patience and endurance in the feet, come play a show! What is this? I do not think as much, a crazy day in baires. Design and the fashion industry needs and requires much more.




The isntalaciones Oh la la! one of the most visited, I do not know if snapshots or because the magazine gave away
in makeup, Natura makeup sessions offered during all sessions and the booth did the same for Swatch makeup worthy of Nina Hagen in '80 according to the collection of signature Colour Codes

Oroweat In the space of Bimbo, the public could be designed in conjunction with designer Carolina Aubele


Finally, not all that bad, there were good displays in the showroom area bounded (please more space to display their clothes, between the sea people and the minimum racks are not appreciated!) and between 20 and one of them mentioned to me was to Pilomagliano. Beautiful shoes I love them all!! I also highlight Huija stand presented a version of his collection last summer, also in shades of snuff, black clogs and Andean looms.
facilities were very original sponsors this time, but if you ask me would say and design?

The beautiful and very special shoes PiloMigliano


Huija and options on wooden platforms for the summer .... I go for them!!

iggual Group 134 to the S-Mode had a space in the showroom and gateway

Like I said, I had little time to watch, my duty was RedFashion priority so I waited patiently press row all day to tell them about the parades . Stay tuned for the note Redfashion them public the link in the comments.

Saturday, August 14, 2010

Indiana Cruising Spots

The autopsy before the injury



the end, I think I can take for good the last review of "Rehearsing a grin," that I will send soon to Vitruvius to begin the editing process. Apparently due out in November or December.

Many poems have changed. Others will stay in this blog and do not enter the paper. What I can announce is that the foreword to be written by Nacho Vegas. An honor for me.

Also, I've started some new poems. In 2009 I wrote only four. And so far in 2010 took one, tentatively titled "The faithful lover." Can not say it's a very productive, no.

want to republish in Vitruvius My first book, "Luna Hyena" (1998), which is unavailable for some time. In theory I can make some corrections, but reread it this morning I realized that it is not salvageable. Few poems are held by themselves, is too young and too autobiographical. You have to think about it.

Sunday, August 8, 2010

Wrestling Scholarships For Harvard

For recovery feminism

Paper presented at the Women's Exchange Conference of Masonic Lodge
female Barcelona, \u200b\u200bMay 2010


In patriarchy, the whole world is motherless
Victoria Sau

When revives old mother,
handsome shepherd, and that lives deferred

Lope de Vega

's mother as a determinant society.

With the statement 'Give me other mothers and I will give another world', San Agustin became clear what was the weakness of its social plan and the need for them to change once and for all mothers. Change the mothers to overcome human nature and their willingness to organize and to live as it had for a long time, without domination or slavery, in peace and cooperation (1). New mothers to play filia warrior business continuity, human guerrao fit to make to be slaves @ s. I could do to change this world without a mother.
patriarchal society was built on a matricide, ending generations of women whose disappearance disappeared also peace on Earth (Bachofen). And this is the civilization that still exists today, incessantly destroying the lives and to corrupt the human condition, more competitive, fratricide, more warlike, more ruthless than ever. From my point of view, not the economy that is in crisis, but the model of civilization. The crossroads at which humanity finds itself, we have raised, if we end this world of domination and survival, is the recovery of the true mother, and with it the basic qualities of human beings, which enable us for understanding (and incapacitate us for the fratricide). Recover
real mother is recovering the surrounding environment, its habitat, Bachofen a German word coined to define: the Muttertum, made with the suffix 'tum' (equivalent to 'dom' English) which means the site the place of the mother. It is not only a physical space, but a set of locked relationship with specific libidinal fluid: the fluid feminine-maternal, the mother's breath (2), because the productions of our libidinal organ system, designed to organize human relations are the raw material of human social fabric original. The Muttertum is then like the fabric of the social fabric, as he called at the beautiful metaphor Martha Moia (3): a set of threads, because a single thread does not warp. Lost is the real mother then recover the group of women and their collective role within a particular social group. The recovery of the mother is not a single recovery (even if an individual dimension and body), but female recovery group, of us. According to Malinowski (4), Trobriand women of a clan had a collective name, tabula, the tabula was attending the birth of women in the clan.
In Castilian is a sense of 'mother' that is a vestige of the ancestral mother, as in 'out of mother', which would be out of Muttertum that makes us grow and be consistent, and also a meaning as the original source of something ('the mother of vinegar'); or as the result of something (when we say that we have with 'the mother of the lamb'). If a river is out of control, everything is flooded and disaster. For just walk humanity emerged from mother, in a permanent state of schizophrenia and with increasing outbreaks of violence (Deleuze and Guattari, Laing).
says Ernest Borneman (5) that the emergence of patriarchy was a counter-sexual revolution, in which the loss occurred of the sexual habits of women ( désaccoutumance sexuelle in the French version of the book), which could only refer to women preventing them of their sexuality, which is consistent with the original myths of solar heroes and saints who killed the dragon , a snake or a bull. The trace of these sexual practices that come to us through art and literature, it is very important because it gives us an idea of \u200b\u200bwhat was ahead of anti-sexual revolution.
A common place of lost habits are the female dances and belly dances universally found everywhere, from the earliest times (Paleolithic paintings such as Cogull (Lleida) and Cieza (Murcia), ceramics Cucuteni the 5 th millennium ae, Minoan art, etc..), Which we talk about sexuality and shared autoerotic women of all ages, from infancy. Among the written testimony, quoting the Gongora letrilla women living on our mountains still in the sixteenth century, and who came together to dance:

not white choir of nymphs
of which water settles,
or which venerates the forest
followers of Diana

Basin mountain were
(honor of that mountain),
two rivers whose foot kiss her kiss
by plants. Cheerful dances wove



white holding hands in friendship, perhaps fearing
not barter moves.

How well they dance the mountain!
How well they dance!

These highlands, and Amazon calls elsewhere in the world, were women who went to live in the mountains to preserve their sexual habits. For centuries, tying in with remnants of the old 'pagan', surviving between the complicity and slander (like the romance of the Serrana de la Vera, featuring the mountain like a thief who kidnapped the men to satisfy their lust and then kill). But the reality was more than the entire distortion, slander and mythology together, and contaminated their existence to the women who escaped from the villages at night to join them. In the seventeenth century broke as you know a campaign of extermination against these women, and passed into history to become a witch.
The sexual nature of women's games and dances has also been studied through the lyrics of their songs that have survived to this day (6) The daily habit of women to come together 'to dance' and bathing is ancient and universal , and brings us to envision the space group of women, steeped in complicity and based on a natural intimacy between women today only prevalent in some remote places around the world. There are villages in Africa where women still gather at night to dance (dance clearly sexual, as seen in the photo reportage of Antonio Cores of the Nuba tribe of Sudan (7)). The image of women in the painting The Garden of the Hesperides by Frederick Leighton (XIX century) is another vestige of that relationship
complicity and intimacy between women.
sexual habits of women reminds us not phallocentric sexuality of women, to the diversity of female sexuality, and continuity between each cycle, from one stage to another. Diverse sexuality and diversifies to throughout life, the cultivation and culture have lost.
In the last century, marriage Masters and Johnson (8) made known the result of his research seems surprising anatomically and physiologically the uterus was designed to perform 50 consecutive orgasms, for his part, Dr. Serrano Vicens (9) which carried out research on women's sexuality at the time, found that 35 women who developed normally orgasmic capacity. Ernest Borneman then linked this information with your point of view of patriarchy as a counter-sexual revolution. The difficulty of understanding what it says Borneman is due to the notion that we currently have of sexuality as presented by the woman's orgasmic capacity decontextualized natural sexuality. To understand this we need to re-contextualize it in the way of life which developed normally.
live in an environment in which our human libidinal system designed to lock phylogenetic relationships, is frozen. Today the mothers live far from their daughters and grandmothers we visit to see niet @ s @ s, the person in the family helps out when we get sick live on the other side of the city, and barely know a neighbor or the neighbor on the landing; Ancian l @ s @ s @ s are served by cheap labor of immigrants, and often die alone in their homes or in nursing homes, the labor market requires women to leave their creatures also caring for an immigrant or daycare ... etc. etc. .. In short, we live in a city where we are tod @ s together but as unknown @ s @ s, streets full of people that pass next to each other as foreign. And yet, life has designed a system to keep productions libidinal pcs @ s true: the loving impulses, feelings, tenderness, caress, the desire to give and get rid l @ s in others, gratitude and sense of reciprocity, the senses, the perception of pleasure, taste the kisses and hugs, orgasmic capacity, infatuation, sexual fluids, hormones of love, care and complacency, and so on., well, everything, absolutely everything you need to do a root of feelings of love in which each person participates with its own roots, a roots locking human relations based on trust, to complicity and empathy and attachment, the relationships between sisters and brothers. Everything to fall for babies and their care becomes our desire and our pleasure, that those feelings take root form loving human groups and cooperative interaction with abundant production of generosity, hospitality and feelings of gratitude for correspondence the shedding of l @ s otr @ s, consisting of groups of human beings, non-manipulable, faithful and true to his feelings towards his surroundings, its roots are linked with their roots
herman @ s. So care l @ s others, l @ s s obesity, old l @ s @ s de l @ s @ s enferm would only be a product of feelings to be held lovingly and not as a thankless job or mercenary . But our society is made for competition and domination and has frozen the libidinal system, human relations are established contractually at the discretion of the money, without empathy libidinal. Say that's why there are experts who know the techniques and methods of doing things. As if to give us just as we look after our mother, or our @ s hij @ s, a loved one of our trust and our intimacy, or a stranger.
In this context, we associate the concept of sexuality on the one hand, this state of stagnation of sexual energy, and secondly, to direct a periodic discharges the accumulated charge, which also are linked to the practice of intercourse, which desire is increasingly secondary and irrelevant, because in general the frozen state of libidinal system, also amorous encounters become institutionalized and the contract or agreement. However, human sexuality is not just intercourse, and has little or nothing to do with having sex without desire. We know that levels oxytocin up at a meeting of friends, or a family meal of those where we feel comfortable. And higher discharges of oxytocin in the life of a woman occur immediately after delivery. We also know that the peaks do not appear magically, but the whole process is a continuum throughout life and some are preparing to come later.
On the one hand our way of life prevents the continuity of processes, and other repression focuses on the peaks, the tips of the iceberg that highlight the overall system destroyed. The maternal desire is captured before going into production deform and makes him a forbidden Oedipal desire and coital (Deleuze and Guattari), while the general notion of sexuality is captured and colonized by pornography and having sex without desire (tecnosexolgía). In this situation, as I say, female orgasmic capacity by Masters and Johnson study appears out of context, and can only be associated with a orgy kind of permanent or, as in a recent article in The New York Times (10), sexual activity bonobos females apparently spend the day copulating. However, the ancestral sexual habits of women show a very different development of the sexual energy in everyday life, including motherhood. Mycenaean women painted on the pots with those who were daily to fetch water, some octopus with its tentacles waving and hugging all the belly of the vessel, emulating the path of pleasure over their bodies, as a humble example of the integration of pleasure in everyday life.
Vicente Serrano's study gives an indication of the nature of female sexuality that still existed in the fifties of last century in our country, despite the situation of individualization and submission to men: it is found that women were initiated in sexuality from an early age, shared games with other girls, with auto-eroticism and lesbian relationships embedded in everyday life, yet very common in Spain at that time. Sexual relations were only one aspect of their sex lives, and those most enjoyed their sexuality, including sexual intercourse, were those that had developed and diversified way since childhood. 2 .-

Motherhood and female sexuality
.- The history of mankind is divided into two parts: before and after the patriarchy, before and after the slave societies. Between one and another part of human history, there is a discontinuity in the notion of things, concepts and symbols. This discontinuity is perfectly detectable, but it requires a special effort because it has been subtly erased in means of transmission of knowledge, and the new notion of things is based on a dogmatic magma that we close the door on the notion of true and genuine life. This basic conceptual dogma (Ruth Benedict (11)) presents the archetypal human being, a being domineering predisposed to war and to deploy a capacity and a supposedly innate desire to dominate (Amparo Moreno (12)). Closely linked to the notion of the archetypal human, we have a false notion of the mother and of human sexuality.
The first notion is that the real loss motherhood is a display of our sexuality, and that the elimination of the social role of the mother has a dimension organic body and important. The body dimension of matricide is nothing that says Borneman sexual counterrevolution. Women's enmity with the serpent (the loss of spaces and sexual habits) and its consequence, birth with pain, were-and are-key to establish the domination of man over woman.
American Association Orgasmic Birth, the Best Kept Secret (Parto orgasmic
best kept secret) (13), is releasing a documentary with many orgasmic birth, showing what he had already referred to John Meredith Barbera (14) and other studies @ s of last century sexology on orgasm at birth (Shere Hite, Masters and Johnson, Kinsey, etc.). The uterus is designed to perform 50 consecutive orgasms for the birthing process so pleasant, without violence and without pain. Calls 'contractions' delivery should be beat: slow movements of the powerful muscles of the uterine pouch, which will shrink and become distended, and shrink and become distended, rhythmically, amoeboid movement with which the fetus descends into the output, while the circular muscles relax uterine bag closing function.
In parts of Saudi Arabia, women today still form a circle around the mother dancing dancing belly, hypnotizing with its rolling rhythmic movements that it also moves for the body instead of moving against him. (15) This is a clear example of the relationship between sexual habits lost in the counter-revolution patriarchal and delivery. In the real belly dancing, the movements of the abdomen and pelvis are driven by sexual instinct, despite the redundancy, and move accompanying the movement of the uterus.
games and dances in a circle and belly dancing in childhood, adolescence and adulthood, auto-eroticism, intimacy and complicity female orgasmic sexual intercourse and childbirth. So the sexuality of women, diverse. Sexuality our body is not only targeting the phallus. The phallus-centrism has been a consequence of the phallocracy, domination, imposed with the emergence of patriarchal societies slavery.
must also mention breastfeeding, an important period of the sexual life of women. Ruth Benedict (16) had it towards the 30's of last century, the Japanese health authorities wanted to promote women weaning at 8 months postpartum, in a society in which breastfeeding was very long and recognized as a state of great pleasure for women. They campaigned with supposed scientific arguments to convince women that was best for their babies. But while weaning convinced that it was best for babies, could not convince that it was best for them, and were not willing to give up that pleasure. At the time of writing the book, Benedict said that the campaign of weaning at 8 months was a failure. In Japan, says Michael Balint (17) mother's love is a very specific and has its semantic recognition: the amaeru. According to Balint, the primal amaeru or love, is characterized by greater libidinal investment of human life, because love is a desire to promote a permanent state of symbiosis.
physiology tells us that breastfeeding is also a part of our system sexual (18), the ejection of milk has an internal device in women, which is activated by sexual instinct and the consequent release of oxytocin, and oxytocin snapped their receptors on myoepithelial fibers lining the alveoli the nipples, is launching its heartbeat, the contraction-relaxation movement of pumping and milk squirts. It's the same device that we women also ejaculate vaginal discharge for intercourse or for labor; the same device also men to ejaculate semen pumped and stored in the seminal vesicle. That is, is a sexual system device that is activated with the sexual instinct, and therefore can be put up to a glance of true love. The map of the location of the oxytocin receptor is a map of the main erogenous zones of women, and explains the relationship that the outward movement of pleasure established between them.
It was found that the density of oxytocin receptors in uterine muscle fibers is variable, and increases with sexual activity (19). This would explain the role that the sexual instincts in childhood (if they occur is for something and not some aberration) to develop and mature sexual organs. Sexuality is a continuum of psychosomatic phenomena over the life of the woman, in which some phenomena prepare the following, during childhood and puberty to prepare rules have leisure, and during adolescence to have intercourse, pregnancy, childbirth and lactation enjoyable. For example during pregnancy increase the recipients of the breasts to prepare for breastfeeding, so during pregnancy increases the eroticism in this area of \u200b\u200bthe body.
says Lea Melandri (20) that the denial of our sexuality is violence turned inward, which begins when the child is denied the mother's body, and sees his own body through the body refused to her mother's, then internalize the paradigm of women through the filter of the human gaze. This denial and violence against ourselves is the result phallus-centric immediate crushing diversity of our sexuality. The mother-daughter relationship would be in terms libidinal Muttertum the main source of human, so their destruction is the main objective of artificial design of human relationships.
Our incorporation into public life and equal social rights can not be making a clean sweep of what we are, and making a clean sweep of matricide. In our society there is no space or time to the real mother, or the mother or for women. We are different from men and our sexuality is not uniquely complemented with male sexuality. We need the recognition, time and social space for the other sex. The real heterosexual couples is not the adult, but the symbiotic partner, the mother-child where it starts and develops throughout life and human sexuality, male and female. If society is structured not from the mother, if not rebuild the Muttertum, space and on behalf of women, society will continue to live a crazy, out of hand.
subjectively Women have recovered our dignity, and we need to start recognizing equal to recognize our difference. And the recognition of difference has been lost and banned women who have to recover, and with her mother to every human being and society needs. We must lay the warp. And you also have to engineer it.
3 .- Tramar
warp .-
The male role is not to conquer or dominate the world, but human warp weave. Plotting the warp and consistent means to make it sustainable, ie to the tissue. It is equally a collective function. This is not an individual paternity or that men do warp, much like the tradition of couvade (21), trying to wrest the feminine role, but now it might seem necessary precisely because of the lack of collective function female.
would be something like returning to the extended family but no relationships of domination of any kind. Nor is it the traditional homecoming: the professional activity of women should be made from the warp as well as the professional activity of men from the plot, and no one would have to conquer anything or anyone to master. As had always done for thousands of years, in other civilizations.
Of course, maybe we would need to resurface for some time that the Quixote (22) and Arthur to defend the snake (the mother, female sexuality) and maintain the standard of the dragon, and also likely would require the revival of the Amazons, and perhaps so many different things like that took place during the long and tenacious resistance that humanity opposed to this civilization.
La Mimosa February 2010
______________ (1) Archaeology has removed any doubt about it, proving that the Golden Age is not a myth but it was reality.
(2) The mutterlich Bachofen who never used the word 'matriarchy'. The tenacity with which we persist in endorsing Bachofen, and use it to refer to the pre-patriarchal society, is a measure of how important it is to eradicate the notion of the mother who has nothing to do with hierarchy or a power relationship.
(3) The girls not , Salt edicions des gifts, Barcelona 1981.
(4) The sexual life of savages in Western Melanesia, Beacon Press, Boston 1987 (1 st published 1929)
(5) Le patriarcat , PUF, Paris 1979 (1 st publication, Frankfort 1975).
(6) The same Borneman has collected children's songs in German. In Spain, Mari Cruz Garrido
conducted a study I think we still unpublished.
(7) www.antoniocores.com/Sudan-Photographs/006-Niaro-danza
(8) Human Sexual Response, Little, Brown & Co., Boston 1966.
(9) sexual Report English women, Leader 1977, and female sexuality , Júcar 1972.
(10) Daniel Bergner, What Do Women Want? http://www.nytimes.com/2009/01/25/magazine/25desire-t.html?
(11) Patterns of Culture, and Continuities and Discontinuities in cultural conditioning (the latter hung on sites.google.com / site / rescatandotextos
(12) male protagonist The Archetype History, ed Salt . de les Dones, 1987 and other policy The Aristotle, Icaria
1988 (13) www.orgasmicbirth.com
(14) freshen with pleasure, Kairos 1980.
(15) VV . AA. Mamatoto, the celebration of birth, Plural editions.
(16) The Chrysanthemum and the Sword , Partnership 2006 (1 st publication, 1946).
(17) Lack Basic , Polity Press 1993 (1 st publication, 1979)
(18) Martin-Calama, J., 'Physiology of lactation' Breastfeeding Manual, AEP, ed.
Medica Panamericana, 2008.
(19) Other: Odent, M., The Love scientification , Creaven, 2001. Insel and Shapiro in Pedersen et al. Oxitocyn in sexual, maternal, Social Behavior, Annals of the N. York Academy of Sciences 1992.
(20) original Infamy , Make / Ricou, Barcelona, \u200b\u200b1980
(21) Victoria Sau, see Feminist thesaurus, and also in Feminist Reflections beginning of the century.
(22) See statement of Don Quixote to his condition goatherds knight defender of the golden age, and lifestyle of women in those days.

Saturday, August 7, 2010

Heater Brooke Friend Brooke

What hides behind the headscarf issue




















The Turkish Bath - Jean Dominique Ingres (1862)
The Louvre Museum
Why


Why the controversy over the headscarf has been unleashed by the most xenophobic extreme right (remember who started the famous mayor of Vic), the same as a paradigm of female worship almost always wearing veil (the Virgin Mary etc.)? Why the veil of the Mother Teresa of Calcutta, for instance, is not considered an attack the dignity of women and instead the Islamic women themselves? What is the difference? What explains the ongoing persecution of the Islamic veil?


My humble opinion is that behind the headscarf ban is cooked and sets a policy clash of civilizations, marinated Islamophobia. In turn, after Islamophobia, which is a part of the strategy of the new world order starting after the fall of the Berlin Wall, made about 20 years, is hiding something other than the conquest of oil. The importance and political significance of what's going on and hides behind the controversy on the Muslim veil is what's going on and hides in the body of the woman who is covered with a headscarf, forbidden sexuality.

Cervantes said in the famous speech of the goatherds Quixote, that women in the golden age (ie before the patriarchy and the slave society) went 'in braids and hair', ie, bareheaded and without risk that might offend some lust. I recently read an article on the Mosuo, matrifocal people in southern China, one of the few that survive in which kinship relations are not based on marriage and enjoy sexual freedom, in which the article highlights the absence of aggression and sexual violence that freedom produces. The same was also said Cervantes, on women in the golden age, because the society before the taboo of sex in the absence of repression of sexual drives, the sexuality of women was equally free and could speak freely without fear of aggression or abuse, and I add following Reich, Borneman and tant @ s otr @ s, not only could but female sexual freedom was an essential element of harmony between the sexes. (*)
The regime of sexual repression was accompanied by the robes and veils to hide the body and his charm, as they say in the same book of Genesis, appeared shame, modesty and decency in societies lacking spontaneous, when there was nothing to prohibit the operation of the body organ systems. Clear that sexual repression who was specifically concerned with women, and were they who had to cover for disclosed only to the husband. We are talking about the days when there was still that other female sexuality that has now disappeared because, as Freud's own words, to have been the subject of especially inexorable repression , and therefore it is now difficult to return to life, Freud, of course referring to women of the nineteenth century European society.
However, this sexuality that has been especially inexorable repression has not disappeared. While the West-Saxon culture was putting in place a masculinized female model, with a huge dose of violence internalized to inhibit all non-phallocentric sexuality, in the prisons of Islamic patriarchy that sexuality has remained in captivity. As the insect fossil is preserved inside a piece of amber, the other female sexuality has continued to occur in the spaces cloistered female Islamic culture has maintained a female concentration areas, villages and neighborhoods of cities. The danger is that with globalization and migration and tourism, Western women can come into contact with the woman behind the Islamic veil, and discovering that his body is something other than what we now think it is. Because then, what seems so difficult to come back to life, perhaps would be, and our bodies shriveled easily recover their vitality.
In the eighteenth century, a Saxon lady, Lady Montagu, recounted his visit to women's baths in Turkey, a story that inspired the famous painting by Ingres 'Turkish Bath', which is in the Louvre Museum. Lady Montagu In his letters, published in 1781, claimed that Arab women had more freedom, including sexual, than European, and were more open and more hospitable. It said, among other significant comments, making fun of the corset with which "Western husbands locked up their wives." Them with the naked body and free from under the robe, could not understand the use of a garment like a corset.

the same impact that caused him to Lady Montagu's visit to the Turkish women's bathroom in the eighteenth century, it occurred to me me a visit to a hammam in the medina of Fez in 1993. In 2003 I wrote about it in a speech to a conference in Vitoria (hung on the google casildarodriganez site), and somehow came to mean what I now read in the account of Montagu, the same surprise, including the hospitality of the women who invited us to go for a swim.
I think it is necessary to explain these experiences, because only through the logical-rational can not go through the dogmatic magma of our civilization, one of whose pillars is the normalization of the state of repression of women. My views on female sexuality, in any way arise from this visit to the hammam in Fez, and other experiences that once touched me deeply. Otherwise, I would never have imagined what is the woman, though I be, but educated and trained in a basically distorted vision of our sex.
Often I referred to the experience of motherhood and the shock experienced in the first postpartum did not understand the logical-rational way almost 20 years later, when I read The baby is a mammal Michel Odent: explanation of the stamp, the production of higher discharges of oxytocin in the life of a woman re-placed the experience in the field of female sexuality. I spent several years looking for literature that maternal relationship and sexuality (in the library of the Institute for Women in Madrid, entering the two words 'sex' and 'motherhood' only came an article by Ana Maria Carrillo published in a Mexican magazine, which claimed that it could be pleasure in childbirth and lactation, without providing explanations or data). The comprehensive monograph on Pregnancy and Childbirth joyful (before buying the magazine for RBA) put me in contact with the midwife Adela Campos and she photocopied and sent me the book of John Meredith Barbera. Thus began my discovery of female sexuality. Understand my experience and wrote the book The Suppression of maternal desire and the genesis of the unconscious state of submission: Go disintegration of the schemes and what a change in worldview which involves the mere fact of putting motherhood as a process of women's sexuality! Nothing less than the opening for desedipización, as if a gale had suddenly opened doors that closed the area of \u200b\u200bprimary psyche wide.

When we experience a major shock, although at present not understood, somehow remains fixed in the body, in cells in general, and memory, and if information appears below that explains and makes reasonably consistent, the shock is revived and then becomes the most profound convictions. For something similar to what happened with my motherhood, I also went to visit it seventeen years, the Moroccan hammam, the same shock, as I say, that of Lady Montagu, which led to the box description Ingres.

We were on vacation and we ended up at a guesthouse in the medina of Fez, ie not in the European quarter, but at the same medina, a pension, which of course had no showers, because the people bathe medina in the hammam, which was just across the board. 3 to 8 pm for the women told us -pension- and men in the morning and after 8 (we were a group of two women and three men). When we entered the hammam we were petrified, as if we were on another planet in a science fiction story: a large room and the women sitting on the floor, in small groups, with cliques, naked, throwing water to each other with buckets and bowls, chatting, laughing, leaning henna eating oranges, offering slices and orange blossom (it was Easter) each other, of all ages, old, less old, young, so young, girls, etc. Then we saw that there were three more rooms, the latter with the trough which contained the jet of boiling water and a basin of cold water. The system runs on black polyethylene cubes, hot water is picked up and mixed with cold to obtain the coveted temperature. In addition to the cubes were small basins to catch water in buckets and throw each other over the head and body. I think even the appearance of running water and shower system, people washed well, and I remember sometimes in prison had no shower and we washed our echándonos jugs of water, each other. But the shock, of course, it was not for the washing system, but by women. Never seen a type of women so as to laugh, the sparkle in his eyes, the way they talk to each other, sensuality, complicity, especially confidence, trust in collective group, such as of puppies from a litter of dogs, wrapped a @ s @ s otr @ s to be dropped over a otr @ s @ s, as obvious and natural thing in the world. Everything was amazing, both the expression of each woman, as the relationship between them, and most surprising of all was the existence of human group that degree of trust and intimacy, a degree of trust and intimacy that only occurs in everyday normal relations. I remember we were petrified because we had the feeling of desecrating an intimacy from which we were foreign, but to realize them in our embarrassment, and that we were about to turn around and run, came to invite us to spend and we guided about where to leave the clothes lockers, and then the pylons which would take the water. It was not a formal invitation, but a gesture of openness to be one among them, a gesture that we could not match because we were not to rise to the occasion. To them we were women and that was enough to be considered their sisters or girlfriends. But we did not know, we did not feel part of that party and we failed to accept the invitation. A woman accompanied us to the pylons and while we washed us with gels, it was us throwing water in a basin, then we dried off, got dressed and we left quickly.
Although at the time did not understand I had seen, the shock also stuck with me and several years later, with readings from Meredith Barbera, Melandri, Irigaray, Choisy, Serrano Vicens, and Newton., same thing happened to me with the experience of motherhood , and unrest has also become a deep conviction he had seen with my eyes a glimpse of what Freud said it was so hard to bring back to life. Of course Freud was never in a hammam where everyday women bathe together, and only knew the women who came to his office to psychoanalyze. The paper I presented at Vitoria in 2003, and said they could understand why these women had to wear the veil and go down the street covered and well covered, so you do not see what he did not even exist. What he could not transcend the public space and should remain cloistered.
There is thus a female sexuality that has survived in the Muslim world, as the fossil remains of early generations of women from speaking Bachofen in Das Mutterrecht: sexuality, enclosed and fenced, but also a so recognized. As the female collective space is the hammam, a recognition that we do not have European women, and it is hard to imagine that men in our society accept their wives from switching every evening of their lives together in a Turkish bath as Ingres box. It is not that they were nothing more than to wash. The women of Fez were there solace, installed, spending the afternoon. As I said in the Gongora mountain of Cuenca, who went to the pine forest, 'one by pine and other to dance. "
The domination of man over woman extended over the whole world over 5000 years, has taken different forms and channels, and one of them is the form assumed in the Islamic world: man is the master of woman who holds and hides for their exclusive use. But this model based on external repression strict women, at least in the current appearance is rather more lax regarding the requirement of self-repression of sexual drives, and Arab women is less internalized repression, which preserves to some extent non-phallocentric sexuality, in other models that have been cut off from so completely, with an infallible: removing spaces women's groups. I do not know if the hammam in the medina of Fez, and others, continue to exist. It is possible that the Anglo-Saxon model is penetrating through the Arab monarchies have good relations with the West. But certainly, what he saw and described Lady Montagu the eighteenth century has continued to exist at least until the late twentieth century.
to be calmer, said a woman wearing burka, in a recent interview published in the journal Public ; because she wanted to and not because her husband or the Koran it sent. He said he started to use its own decision five years after marriage, and now wore a widow four years and continued using it, therefore it was not because her husband to send him but because he wanted it, because it 'was calmer ': reason is obviously the most powerful. By reading this statement I remembered Cervantes and the times when women had to wear veils to go quiet, and could go "and braid hair." Ourselves with our bodies can also walk quiet stuffy displaying our bodies in the state of armoring and shrinkage in the normally pulsating survived. And clothes get tight, because the tighter less freedom and less likely to touch body. Fortifying the epidermis becomes ready for outside contact, in contrast, exterior armor, a defense system, coming to be tight clothing as a second line of defense. Instead loose clothing (Muslim women are usually naked under the robes), leaves the body free below. Before, life had used women skirts (and men), and also had the meaning that we change women's skirts for pants.
I think the statement that the robe and veil undermine the dignity of women, as is said in the media, is a half truth, and to the extent that it seeks the whole truth , becomes a mechanism for hiding the truth elsewhere. Women use the robe and veil not to publicly display their sexuality and to preserve privacy in this world of repression can not be displayed. And because covering her robes and veils do not have to stretch or shrink the body to be displayed with the appropriate level of body rigidity that society requires, as I said the woman interviewed by Public, you can be more relaxed. It is best to wear a veil to tense muscles and make the own face in a mask. True, the other part of the truth is that in so far as to the only man who discovers Islamic women is the husband, the veil can be regarded as an indicator of male dominance. But this part of the truth, that just like that, out of context, is a concealment of the reality of Muslim women.
What happens is that exploits the ignorance of the situation, and ignorance about female sexuality, to give an overview of the veil tortuous, and mostly so we are not aware that there is this other sexuality or not we realize the repression that women have internalized Western which is precisely what makes unnecessary the kind of external repression suffered by Muslim women, or that we realize that yoga and other similar language is now conducive, they are actually keeping gymnastics wizened bodies and exercises sublimation his libido. Then of course, with our degree of cardboard we are free to walk down the street, and half naked if we want.
course it is true that Muslim husbands watch, instruct and order the imprisonment of their women. Of course, the patriarchal repression of Muslim women is medieval. But what is the type of repression is practiced, which is more external and internalized repression minor component, low self-inhibition. While living in a prison and can not go out so little, so in general have a level of self-repression and internalized violence lower. To jail cell, the viscera, memory and awareness is needed to process primal repression from the stage throughout childhood, which is what we do in our society.
In short, contrasts with the condition Islamic women as a situation of repression, to ours as ours was a situation of freedom, when in reality they are two different enforcement models, one with a higher degree of external repression and another with a greater degree of self- repression. And what is intended by the opposition is that Western women, and generally good people, we support the war against the Arab world, supposedly to "liberate" Muslim women, in fact, for them to adopt our model of repression .
2003 Vitoria My paper was titled ' internalized violence in women' , using the expression of Lea Melandri Originally Shame. Our bodies have many, many internalized violence, to have the degree of cardboard they have. Our bodies are made of the repression of our sexual instincts throughout their development from birth (begin to live deprived of the maternal body, which involves freezing abnormal system primal libidinal stage). Violence is internalized, which institutionalizes the inhibition of sexual drive. It is significant that sometimes I have taken the title of 'internalized violence on women' and other more neutral position, as "Feminism and Motherhood." For the title, which summarizes the text of Melandri, really sums up the tragedy of the devastation of women. These words are significant and are censored, for the same reason that Wikipedia describes the box as Ingres 'harem' instead of 'bathroom' group of women. One of the issues on which censorship has been focused on my writing done, at least that I could have learned has been that of female sexuality (the other was the issue of self-regulation, the role of the libido and denial of the nest-making rather than maternal matriarch, etc .-)
To understand the current prosecution is required to headscarf historical perspective of what has been done to eliminate this female sexuality, both physically and conceptually (from the 'disappearance' of 1400 significant sexual histories of women collected by Ramón Serrano Vicens in the middle of last century, to the successive massacres women's groups in different ways kept their sexuality, as in our Iberian mountain and went to live 'in the wilderness "until the Holy Inquisition ended with them, going through the current medicalization of motherhood and all the taboos and prohibitions perpetrated to steal traditional sexuality maternal physiological process, not to mention the invention the religion of pre-patriarchal goddesses to hide the archaeological evidence). The killing of the dragon, the bull and the snake, to consecrate the heroic male archetype of our history, we have completed a very specific and only cover and myths distort Iliad sufferings of the true story of the woman patriarchal (Romeo de Maio).
Nobody better than those who proclaim themselves followers of the early patriarchs, the Dragonslayer sonnemensch that swept the women's sexuality to be his slave, certainly killing more than imaginary dragons, nobody better than them, I say, recognize the scope of female sexuality is still place in the concentration camps of the Muslim world and the danger that their existence implies.
What the aim of this prohibition is not restoring the dignity of women, but normalize the phallocentric model of women in the Islamic world and Muslim women to remove their veils have to internalize the repression, as we do Europe. Which to some extent already have to Muslim women who migrate and leave behind their way of life and customs.
Today as 5000 years ago, the main enemy of women's sexuality is domination of true motherhood dependent, and therefore, a key means of recovery of humanity.
La Mimosa, July 2010
------- (*) Our civilization is intent on hiding the good nature of the sexual instincts. But history, anthropology and archeology have confirmed what the scientific sexology has shown, namely that spontaneous sexual instincts are those of the bodies in a state of love, and produced to ensure the love and care among peers; and not produced in the bodies in the state of war stress (enough to know that the neuro-endocrine system and muscles of a body in a state of war is not only different, but also antagonistic and incompatible with the neuro-endocrine-muscular of a body in love). And is the regime of sexual repression that produces the dislocations of these systems and the aggressiveness of the people.

Pokemon Shiny Gold Gba Saving Problem

The mountain, the first advance

Warning: it impossible to hang here the poems attached to this text, I refer the interested reader or reader / aa: sites.google.com / site / casildarodriganez where this hangs text accompanying the poems mentioned.

In our classic literature are abundant romances, serranillas, and even plays with the actors to the mountain, sometimes also called 'cowboy' it bred cows (such as the Archpriest of Hita in the Segovia area (attachment 1) or the Marquis of Santillana Finojosa (attached 2)). These were women who lived 'in the wilderness', ie in the mountains, in caves or huts.
In the plays of Lope de Vega, Velez de Guevara or Tirso de Molina, the ratio of women to go live with 'wilderness' was the resentment caused by a felony for a man suffering, despair that leads a general attitude against men and a desire for revenge against the other sex. Their lives in the mountains were devoted to banditry, to attack people, steal, Suresh and even kill them.
Leonarda The mountain of Vera de Lope, was as robust as beautiful, driving arms, pulling the bar, regal horses legs better than a rider with a mouthful, and had hobbies mannish ... Leonarda being attacked and humiliated by a man, is raging and takes an oath to always live in the wilderness, to hate men / and dealing with the beasts, / of hitting the road / and to make notable offense; / - killing and injuring many , / you have to aquesta slopes / many crosses as you kill, / so much blood as oleander ...
The mountain of the work of Velez de Guevara, the mountain is called Gila, and also swears revenge live in town and kill as many men are. Fulfilling his promise, lives among rocks to gorge on all those who approach him in hopes to enjoy her favors. Baltasar
Enciso, also writes a sacramental The mountain of Vera or The Montañesa (1618), and Lope touches the subject in The two shoulder straps. Tirso de Molina brings his work Countess-strap or Nymph sky, and there is another Calderón entitled attributed to the shoulder of Italy or The enemy of mankind.
(I have not read any of these plays, which I quote is contained in the Encyclopedia Espasa, which gives a source: Menéndez Pidal and Goiri M. Menendez Pidal, Theatre Old English)
This image of highland robber Manslayer and contrasts with the image that gives us Góngora (Attachment 3) in letrilla, a bucolic picture of women dancing in a circle.

Júcar In the pine forests of the mountain women

saw her dance to the sound of water on the stones are
and the wind in the branches is not white
chorus of nymphs
from which water settles,
or those
followers worship the forest of Diana
mountain basin were
(honor of that mountain)
two rivers whose foot kiss, to kiss her
plants. Alegres


outcry wove, white

holding hands of friendship, perhaps fearing that the barter
moves.

How well they dance the mountain!
How well they dance!

Luis de Gongora y Argote

In a ballad of Gil Vicente (attachment 4) (which collected folk songs and inserted in his plays), we have perhaps the key

case I say I do not want
husband, no. But I want to live safely

nesta saw my ease,
Do not be at random
If you marry well or not ...


Mother will not be married to live life not tired, or perhaps misused

the grace that God gave me.

... It is not, nor is born
this to be my husband;
and that I have known since the flower
SO I,
say I do not want to marry me
husband, no.
shown
Where to live in 'wilderness' was a choice that women have, something that was within their means, and that it was a reaction of hatred and revenge against an evil turn, which does not mean also sometimes the case, and that if a woman things went wrong with the husband, then decided to move to the mountains. Only by giving women a choice of male dominance Altena, it is understood that the mountain would be exterminated. It is also understood to be made the myth of the robber and Manslayer mountain for defacing. Gongora
The letrilla also shows us that they were not individual cases, but there was a relationship between them (plus a playful), which means what she says of the ballad of Gil Vicente who does not want to be married ' for not living life tired' . The aspect of sexual preference also note: do not misused the grace that God gave me , to which then adds that the flower SO I .
not be entirely accurate picture of the mountain man eager to get to bed, because, for example, the cowboy of the Finojosa the Marquis de Santillana, who was also a mountain as is clear from what he says gives this answer to the insinuations of the knight: Non


is willing to love, nor expected
denim aquesa
of
Finojosa

The story of the Archpriest of Hita in his meetings with four mountain cowboy
(the Chata Malangosto, Gadea de Riofrio, Menga Lloriente Cornejo and Tablada Aldara) offers a wealth of concrete details that can have an idea, especially their relationships with men who appeared from their territories. Input the man usually shows rather humble and respectful, asking inn please, and accompanying his request and kind words of flattery, perhaps because they knew that in the field of physical confrontation had to lose (the mountain were known as good fighters , mentions the skillful management of the Cudgel and deep, such as weapons), and because they knew that the good and paying it because they would not have problems. In the stories of the Archpriest is also clear that the mountain used require payment of a toll to pass through their ways, or show them to travelers who were lost in the mountains. The truth is that they seem to have been controlled saws. A ballad collected by Gil Vicente (Attachment 4) says: " saw pass by do / gentle brown mountain?
The description of the development of the matches is very similar in almost all cases (except in the romance The mountain of Vera, at least in the version collected by Menendez Pidal (attachment 5), which gives a cruel image of a mountain). In general the meeting begins with a sort of trial and error to reach mutual agreement on the price still has to pay the man (in general species: beads, 'jewels' dresses, shoes, satchels, etc.) in exchange for shelter, food, bed and indications of where to walk the walk sometimes no treatment or because they distort or because they like and go together without treatment. But it seems that the deal was so common and normal. In general, the issue of sexual encounter is usually always featured in the story as something agreeable to both parties. Sometimes it is he who shows more interest, sometimes it is the mountain. But both the Archpriest and Santillana, Gil Vicente and Gongora give a nice image of the mountain. The Archpriest describes them as strong, capable, resourceful, hospitable and deep, condescending and treatment easy.
The ballad of Gil Vicente saw pass by do , has the characteristics of children's songs run, in which almost everything is said between the lines.
description also have a way of life, the equipment they had, the handicrafts and livestock they did, their ability to hunt and to move through the rough spots etc.
This issue of the mountain can better understand the process by which they were subtracting female sexual habits, and all the talk about the circle games and belly dancing. (See the book with pleasure Pariremos paper and feminism one recovery).
The hunt for the mountain by the Holy Inquisition continues the process of the early solar heroes, which is certainly not only killed imaginary dragons. In the popular ceramics disappear in the seventeenth century drawings of women, fish, dragons, birds with eggs and uterine crosslinked forms, etc.., As anyone can observe on a visit to the museums of ceramics, for example, Pedralbes in Barcelona or Valencia.
This persecution lasted, as the potters who had begun to recover ancient drawings that refer to symbols of female sexuality, are facing more than difficulties. To complete this
first step, in the voice 'Serranilla' the Espasa Encyclopedia says: lyrical composition of matter villanesca or rustic, and most of the time, erotic writing, usually in meters short .

As interesting and exciting for me has been the discovery of our Iberian Amazon, and here I hang on these lines. As I said at the beginning, I refer those who want to read the poems in relation to: sites.google.com / site / casildarodriganez.
La Mimosa, April 2010